The
promotional notes for their final appearance at Kingston City
Hall, Victoria, Australia on 29th May, 2004
“It
was 1959 - the year Buddy Holly died - and Stan Azzopardi had
just formed the first line-up of a rock'n'roll band which, with
one or two hiccups, would last for the next forty year. The
Premiers, featuring Stan on piano accordian, Bobby Cookson on
guitar, Joe Gatt on drums and Kenny Merandis on tea-chest bass,
had begun. Forty five years later, The Premiers play together
for the last time at the Elvis Presley Fan Club Dance
in May 2004.
“The
band's first gigs were at the Mordialloc Lifesaving Club,
where president Hazel Pierce watched over a flock of young rock'n'rollers
every Sunday night. The lineup now included Colin Jones and Ken
(better known as 'Sam') Semple on saxaphones and Noel Tresider
on piano Bobby Cookson had moved 'out front' as vocalist, Stan
had abandoned the accordian in favour of the guitar and before
long Lee Conway moved on to seek fame as a star of country music,
to be replaced on bass by Dave Thompson.
“The
band had now developed a growing reputation and secured a regular
Saturday night gig at the Malvern Town Hall where Betty
McQuade joined them weekly. The Premiers backed both Betty
and Bobby on recored on numerous occasions and in March, 1963
recorded their own 45rpm record on the Astor label - Mary
Had a Little Lamb/Song of India, both instrumentals in the
style of the The Champs, which made it to No. 40 in the charts.
Appearances at all of Melbourne's top rock venues were now
a weekly occurrence and the Premiers added to their credentials
through Festival Hall appearances with Johnny O'Keefe,
The Delltones and a host of others.
“The
legendary Mordialloc gig continued to grow in stature and popularity,
the legend further fuelled by now regular appearances in front
of the Premiers by a young man named Paul Meaney, since described
by Johnny Farnham as "the greatest rock'n'roll voice in Australia”.
“As
the 60s drew to a close, it became clear that the days of the
rock'n'roll bands like The Premiers were numbered. In fact
Stan Azzopardi had already retired (for the first time), to be
replaced by guitarits Paul Chick and in 1967 The Premiers themselves
called it quits, only to re-emerge almost immediately as the Paul
Mckay Sound with Paul Meaney 'out front'.
“It
was not until 1991 that The Premiers would return to Melbourne
dancehalls.
“Although
for a brief period in the late sixties he was not a part of the
band, Stan Azzopardi has always been the heart and sould of The
Premiers. Justifiably regarded as the one of the Godfathers of
Melbourne rock'n'roll, Stan established many of the benchmarks
by which good live rock'n'roll music is judged. The numerous
Melbourne musicians who have been a part of the Premiers attest
to Stan's skill and determination, his dedication to achieving
the best and his love of rock'n'roll.
“At
the same time, there would have been no Premiers without the input
of some great musos. The following have all been members
of the Premiers at some time: Guitar - Stan Azzopardi, Paul Chick,
Bill Pyman, Peter Litchfield. Saxaphones - Colin Jones,
Ken Semple, Tony Buchanan, Henry Bource, Chris Anderson, Graeme
Broomfield, Mick Golden, Steve Williams and Ivan Trower. Bass
- Lee Conway, Dave Thompson, Matt George, Ray Houston. Drums
- Joe Gatt, Tony Azzopardi, Danny Azzopardi, Young Joe, Mal Ronay,
Neil Hicks. Keyboards - Noel Tresider, Andrew King, Greg
Azzopardi. And of course, those great vocalists - Bobby
Cookson, Betty McQuade, Dennis Bugat, Paul Meaney, Tony Cacagno,
Steve Lawson and Lex Pirotta.
“Although
Stan Azzopardi had retired from the music business in about 1966,
he soon returned, playing with the Rock'n'Roll Allstars at Jailhouse
and then joining his old friends from The Premiers in the Paul
McKay Sound. A varied and active musical career followed
and his decision to from a new band in 1991 led to the formation
of the new Premiers. Stan on on guitar and vocals, Ken 'Sam'
Semple on saxophones and Andrew King on keyboard and vocals provided
a basis around which the band was gradually formed. The
addition of Ray Houston on bass and vocals proved to be an imprtant
mileston, as did the arrival of Mal Ronay on drums. Early
efforts to make Bobby Cookson a part of the reformed Premiers
were frustrated by Bob's business commitments and the boys searched
in vain for the right sixth member. Finally, Stan and Andrew
met Lex Pirotta at a party, heard him sing and decided that, come
what may, they had found the sixth Premier. The rest is
history. |